assistée par Isabelle Marx, Estill Master Teacher.
IN THE HEART OF STRASBOURG!
Les stages Estill 1&2 d’avril et de juillet se dérouleront au coeur de Strasbourg et vous permettront de joindre l’utile à l’agréable en profitant pleinement de notre belle ville gorgée de sites touristiques culturels et féériques. Bien entendu la gastronomie incontournable en Alsace sera au RDV et émerveillera vos papilles 🙂
Efficient ! The Estill model of vocal functioning, founded on scientific research in New York in 1970 by Jo Estill, is based on the in-depth knowledge of the anatomy and functioning of different parts of the vocal apparatus.
Liberating! In the model of voice functioning there is no aesthetic judgment of the voice, there are simply different ways of using it. Each voice is unique and has the right to exist.
Creative! Knowing your vocal instrument and knowing how to use it allows you to approach all styles, to discover your vocal identity, to multiply your vocal color palette, to make choices and to assume them.
Estill module 1 - 3 days
Jo Estill has divided the vocal apparatus into 13 independent parts, and her model of vocal functioning teaches how to dissociate and master the work of each part separately, by practicing what she called: The Figures for Voice
Participants will practice the Figures in small practice groups in the program for each day.
Estill module 2 - 2 days
This module shows how to produce the Six Vocal Qualities, by combining the Figures acquired in Level 1. These Qualities, defined by Jo Estill (Speech, Falsetto, Sob, Twang, Opera, and Belting), allow a better understanding of unlimited vocal capacities, while respecting the principles of good vocal health and resonant voice.
An open-coaching session, where participants can present a song, a speech therapy clinical case or a verbal activity in order to achieve their vocal goals through Figures and Qualities, is scheduled at the end of each day. Throughout the 5 days of training, we will also take the time to discuss and answer questions from participants.
PROGRAMME DU STAGE +
The cours starts with a presentation of the Figures, as defined by Jo Estill.These are presented one by one, both theoretically and practically by exploring collectively body sensation exercises that enable you to independently master the function of each part of the vocal apparatus.
The days alternate between theoretical and practical lessons. At the end of the afternoon there is an open session where participants can go over specific points of the training and apply the lessons to their own choice of songs and texts, to resolve different types of difficulties.
Technical and pedagogical resources
oral presentation of the method, using visuals, videos, audio and models
group experimentation of the different categories of sounds drawn up by Jo Estill;
Collective body sensation exercices
voice analysis with Estill Voiceprint Plus software.
Educational materials
Visual documents, spectrogram software, diagrams, photos, videos, audio and models of the larynx.
Course evaluation methods
Collective debriefing session
Evaluation sheet to be completed by participants at the end of the course, and to be submitted to Courant d'Art
Delivery of Course completion certificates
À QUI S’ADRESSE LE STAGE ? +
You are a professional or amateur vocal performer: singer, actor, storyteller, musician, dancer
You are a speech therapist, teacher, singing teacher
You work in radio or television
You are just passionate about the work of the voice
The Estill vocal model is used today by internationally renowned teachers, vocal coaches and singers all over the world.
Formatrices - Julie Cimon Racine
Dès 2010, Julie Cimon Racine organise de nombreuses formations Estill Voice Training à Québec dans le but de rendre le modèle accessible au plus grand nombre et obtient sa certification de EMT en 2012…
“I'm honored by the energy, care and skill you gave to the workshop! Isabelle, it was so great to have you as a teacher and to learn from you. I am looking forward to the summer!”
- A workshop participant
“
I had a purely lyric education, and there I have all the recipes to find how I want to work on my own music. The relaxed atmosphere and the fact of laughing freed me for technical group work. It is the first time that I make sometimes strange sounds where I did not feel the gaze or the ear of the other, I could sing without feeling pressure ”
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WHO ARE WE?
Today Courant d'Art is interested in how to give birth using your voice, as well as in learning to use it for your well-being, to communicate, use it in your professional life, or use it. in a creative way.